What I’ve been doing with my misfit, so-called acting career in film from day one on my first film, ‘Spanking The Monkey’, is, I’ve kind of made a concerted effort to hijack my acting career to turn it into film school, because I’ve always had the blasphemous idea of becoming a reasonably competent filmmaker in my own right some day.
I think of horror films as art, as films of confrontation. Films that make you confront aspects of your own life that are difficult to face. Just because you’re making a horror film doesn’t mean you can’t make an artful film.
Filmmaking, like any other art, is a very profound means of human communication; beyond the professional pleasure of succeeding or the pain of failing, you do want your film to be seen, to communicate itself to other people.